By Preston & Child.
Topline: Two authors is one too many.
The first thing that strikes you after reading this book is, why did they bother? The book is flawed, right from beginning to the end. And it definitely is not one of those un-put-down-able books as the reviews on the back page say. Events happen just too smoothly, too conveniently, making the storyline rushed, rather than aiding it. If the authors looked to scare the living daylights out of readers, they couldn’t have failed more miserably.
The story runs from 1870 right down to the 1990s, the flashback more a hindrance to what you’re reading. The characters come across as more comical than sinister, their actions predictable, and at times, downright irritating.
Morgen-Fairhaven is a real-estate firm headed by Fairhaven-the suave, press-friendly guy.
The FBI gets a representation in the form of Agent Pendergast-albino-skinned, blond, but definitely not the blond-blue-eyed hunk type. He’s got magic coursing through his veins, literally, his ancestors being magicians, with a flair for clairvoyance. The author(s) like to point out that his coat contains a lot of mysteries yet to see the lights. Nothing significant to point out there.
Next in line, Nora Kelly, archaeologist, of the National Museum, ever the good-looking, copper-haired bimbo. Not to forget her guy, the blubbering journalist, Smithback-he’s got a knack of dropping his food right down his new Italian suit, just the way his mommy told him not to.
What does one get when the authors force contact between them? A total mess that would even make Smithback blush. Fairhaven’s agency, when in the process of constructing a new skyscraper, accidentally unearths a “Cabinet of Curiosities”, a museum of sorts for the sole entertainment of the people in the 19th century. Found in the cabinet are skeletons and clothes, very obviously worn by the people who were left to decay there. Pendergast is conveniently on the site with his chauffered Rolls-Royce, we don’t know how. He gets Kelly to work for him, permission grudgingly granted by her boss. Reason? He’s apparently got a way with people that will make them dance to his tunes, again very convenient. He and Kelly scour the site at his insistence and find clues about a mass-killer of the 19th century, a la Jack the Ripper style. Smithback runs a story about the serial killer in his newspaper, which, according to the police (no, not the FBI) has encouraged another killer to follow suit. In the meantime, Mister FBI and Kelly take it upon themselves to get to the bottom of it (don’t they always?) and look through the museum archives. Bingo! They spot the letter revealing the true identity of the killer. The reason he killed: certain organic chemicals in the live spinal column that could aid in prolonging the life span. Next, Pendergast gets a brainwave during one of his clairvoyant interludes and finds a clue that could lead them to the killer and the “copycat killer”’s house. But Smithback beats him to it, reaches the house, an abandoned bunglow in Harlem, aloof, at his own peril. The killer, all this time, seems to be present wherever Kelly, Pendergast and Smithback appear, despite his non-magical ancestry. He waits at his “house” for Smithback, literally skins him alive by the time Pendergast and Kelly reach the bunglow, manages to chain them. But FBI cannot, must not give up. He breaks free, accosts the killer, who happens to be Fairhaven himself, gets shot, lands up in an arms room. Now Fairhaven picks up one of the arms, facilitating the flow of poison to his body and..and..everyone is saved! Why did Fairhaven do this? His brother perished due to Hutchinson-Guilford syndrome, a spark plug for Fairhaven to seek the elixir of life. Here’s the killer. Why did Pendergast take a personal interest in the case? The 19th century reluctant, moral killer was his grea-grand-uncle!
Bottomline: Definitely not worth a night’s sleep.